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Tegan & Sara: Sound of summer from Canadian sister act

The Rent Assembly Conference will host a poetry reading and chapbook launch @ the #dtes street market this Sun: http://t.co/Ovna8OxaVX May 24, 09:48 PM

Tegan & Sara: Sound of summer from Canadian sister act

Canada's singing sisters Tegan and Sara grace the cover of the latest issue of Megaphone. Fresh off the release of their seventh studio album, Heartthrob, early reviews show the folk-pop duo are destained to take over the charts, not just in the Great White North but around the world. With over 14 years experience in the music industry, this issue of Megaphone details how the twin sisters are only getting better with age. 

 

Also in this issue: A University of Victoria sociologist surveys Canadians who buy sex; Pivot Legal Society hopes to inspire lawyers to challenge the constitutionality of the Safe Streets and Communities Act; Quick Cobbler offers slightly used shoes to people who need a pair; Megaphone vendor Peter Thompson remembers his time on the ranch; a new exhibition at Gallery Gachet creates treasure from trash; and much more!

 

As always, you can grab your copy of the latest issue from your favourite vendor for a suggested donation of only $2. Thank you for your support!

Five minutes with Voices of the Street 2013 contributor Wei Ting

Wei Ting reads at Megaphone's Voices of the Street 2013 launch in April.


On her inspiration to begin creative writing in English

"Around the time I wrote 'Searching', I was looking for affordable housing and sustainable employment - for the longest time, I was focusing on looking for work because I was attacked at [my previous job] and that made it feel not very safe to continue in that area. So I felt I needed a change of career, maybe in business administration or office administration. But I was actually failed by an English teacher, based just on my grammar. She was so anal - my commas, full stops, and semicolons were not in the right places, so she failed me in that program.

 

"I had spent so much time getting my application for EI together, but because of failing that English class - and I have a mental health condition called General Anxiety Disorder, so I get very antsy mouch more easily that other people - after three months of that, it was a total collapse. I left with this feeling that my English really sucks, and I lost confidence. Anytime you lose a job, or anything you have so much emotional investment in, you feel this sense of failure. But I'm very stubborn [laughs], I want to prove myself, and I've always enjoyed writing but I've never had that confidence. You know, English is my second language - and with that experience, I felt I needed to do something to prove to her, 'my English is good!' [laughs]"

 

On Megaphone's community writing workshops

"Usually when you're not working full time, you don't have a lot of financial resources, so you end up hanging out at community centres instead of going out, because that ends up costing a lot of money, you know, $4 or $5 for a cup of tea. So in accessing community resources, I looked at that [Megaphone] writing workshop at the Gathering Place for quite a while but never had the energy or focus to do it, until I lost my job and my funding. That's when I said, 'okay, maybe it's time to hang out with these writers.' At my last job, I always felt squashed down, like it didn't matter what I said. So I feel this this is a way of expressing my voice, you know, of making noise, like using a megaphone!

 

"The first time I went to that workshop, we had some writing prompts, and everything just poured out of me for ten minutes. And then I read it to the class, and thought 'oh, what name should I put?' I like playing with words sometime, and I remembered hearing in an old cartoon about 'a lady in waiting' and I thought 'Wei Ting' - it's just so fitting, you know? I'm still waiting [laughs]."

 

 

Searching

Searching for meaning and searching 
for a platform to stand on: sustainable 
employment, affordable housing.

Do I have to be down, out, and under, in order 
to qualify for any assistance?

Take a number, fill in this referral form -

take a number and apply on-line - specify 
your location you want to work in - take a 
number and call,

Leave your name and number - take a 
number, leave a message - someone will 
get back to you -

Did you fax it to the right number? Did you fax 
it to the right person? - take a number -

Did you do the follow up? - No, we can’t tell 
you your information on your file -take a 
number -

Ah she is on holiday, ah, he no longer works 
for us -

No, you can’t apply to this course - take a 
number - leave a message -

the manager will come back to you -

Searching for food, money to buy food, 
searching for job, so that, I can have money to 
pay rent -

Searching for meaning - take a number -
he will talk to you - I will talk to him - you 
shouldn’t have to go through this -

Searching for the status of your housing 
application - your file had been de-activated 
for the past 11 months - searching for my 
own tail

- the insanity of searching for sustainable
employment - searching for affordable 
housing - phone this number - Michael -
St- Peter’s 604-

562-85xx - phone 604-623-55xx store 
manager - Harry Porter - store number 4679 
- Bravo! - DIRECT PHONE NUMBER 604-625-

55xx -

Before I bid farewell to my folks back home 
and came to this great land of opportunities: I 
was searching for a land of equal opportunity,

Where women are treated equal as men -
road paved with gold - the land of equal 
opportunities - take a number!

A land of great sustainable employment - so 
that I can feed myself, my family ... well, take 
a number ...

Somewhere in the land of OZ -

It’s been 20 years, my kids had grown up - I 
asked myself what am I searching for? Am I 
holding the wrong end of the stick -

Holding on the wrong line, wrong country, 
wrong planet, I am searching for the exit of 
this madness ...

 

Wei Ting is a participant in Megaphone's community writing workshops. Her piece "Searching" appears in our 2013 Voices of the Street literary anthology, on sale now for only $5 from your favourite vendor.

This spring Megaphone needs to raise $12,000 to keep the voices of the Downtown Eastside strong. Please show your support for our writing workshop programs by making a donation (through Hope in Shadows) here.


Five minutes with Voices of the Street 2013 contributor Wei Ting


Wei Ting reads at Megaphone's Voices of the Street 2013 launch in April.

On her inspiration to begin creative writing in English

"Around the time I wrote 'Searching', I was looking for affordable housing and sustainable employment - for the longest time, I was focusing on looking for work because I was attacked at [my previous job] and that made it feel not very safe to continue in that area. So I felt I needed a change of career, maybe in business administration or office administration. But I was actually failed by an English teacher, based just on my grammar. She was so anal - my commas, full stops, and semicolons were not in the right places, so she failed me in that program.

 

"I had spent so much time getting my application for EI together, but because of failing that English class - and I have a mental health condition called General Anxiety Disorder, so I get very antsy mouch more easily that other people - after three months of that, it was a total collapse. I left with this feeling that my English really sucks, and I lost confidence. Anytime you lose a job, or anything you have so much emotional investment in, you feel this sense of failure. But I'm very stubborn [laughs], I want to prove myself, and I've always enjoyed writing but I've never had that confidence. You know, English is my second language - and with that experience, I felt I needed to do something to prove to her, 'my English is good!' [laughs]"

 

On Megaphone's community writing workshops

"Usually when you're not working full time, you don't have a lot of financial resources, so you end up hanging out at community centres instead of going out, because that ends up costing a lot of money, you know, $4 or $5 for a cup of tea. So in accessing community resources, I looked at that [Megaphone] writing workshop at the Gathering Place for quite a while but never had the energy or focus to do it, until I lost my job and my funding. That's when I said, 'okay, maybe it's time to hang out with these writers.' At my last job, I always felt squashed down, like it didn't matter what I said. So I feel this this is a way of expressing my voice, you know, of making noise, like using a megaphone!

 

"The first time I went to that workshop, we had some writing prompts, and everything just poured out of me for ten minutes. And then I read it to the class, and thought 'oh, what name should I put?' I like playing with words sometime, and I remembered hearing in an old cartoon about 'a lady in waiting' and I thought 'Wei Ting' - it's just so fitting, you know? I'm still waiting [laughs]."

 

 

Searching

Searching for meaning and searching
for a platform to stand on: sustainable
employment, affordable housing.

Do I have to be down, out, and under, in order
to qualify for any assistance?

Take a number, fill in this referral form -

take a number and apply on-line - specify
your location you want to work in - take a
number and call,

Leave your name and number - take a
number, leave a message - someone will
get back to you -

Did you fax it to the right number? Did you fax
it to the right person? - take a number -

Did you do the follow up? - No, we can’t tell
you your information on your file -take a
number -

Ah she is on holiday, ah, he no longer works
for us -

No, you can’t apply to this course - take a
number - leave a message -

the manager will come back to you -

Searching for food, money to buy food,
searching for job, so that, I can have money to
pay rent -

Searching for meaning - take a number -
he will talk to you - I will talk to him - you
shouldn’t have to go through this -

Searching for the status of your housing
application - your file had been de-activated
for the past 11 months - searching for my
own tail

- the insanity of searching for sustainable
employment - searching for affordable
housing - phone this number - Michael -
St- Peter’s 604-

562-85xx - phone 604-623-55xx store
manager - Harry Porter - store number 4679
- Bravo! - DIRECT PHONE NUMBER 604-625-

55xx -

Before I bid farewell to my folks back home
and came to this great land of opportunities: I
was searching for a land of equal opportunity,

Where women are treated equal as men -
road paved with gold - the land of equal
opportunities - take a number!

A land of great sustainable employment - so
that I can feed myself, my family ... well, take
a number ...

Somewhere in the land of OZ -

It’s been 20 years, my kids had grown up - I
asked myself what am I searching for? Am I
holding the wrong end of the stick -

Holding on the wrong line, wrong country,
wrong planet, I am searching for the exit of
this madness ...

Vancouver, now and then: Forty years apart, artists trace each other’s steps

 

Photo by Michael de Courcy. 

 

When four conceptual artists set out to produce a photographic map of Vancouver in October 1972, they walked through a very different city than what we see today.

 

The result was black and white photographs that showed the big city as the small town that it was decades ago. Corner stores with Coca-Cola bottle cap signs and fresh produce out front seemed to populate the streets. The Naam restaurant in Kitsilano, stripped of its contemporary frills, sat on a bare-bones 4th Avenue in a wood-frame building.

 

The 360 photographs were displayed in grid form on a silk screen.

 

Forty years later, in fall 2012, grunt gallery director Glenn Alteen asked three young artists to re-perform the same mapping project that artists Michael de Courcy, Taki Bluesinger, Gerry Gilbert, and Glenn Lewis did four decades before.

 

This month, photographs from both the 1972 and present-day journeys will be showcased together in an exhibition called Background/ThisPlace at the grunt gallery, with an opening reception tonight (May 10).

 

“The piece is very much about the changes in conceptual art as it is about the changes in Vancouver,” said Alteen. “The piece is more social. The artists thought their interactions were as important as documenting the city itself. It shows how the social plays into an art form that didn’t start out as a sociable one.”

 

The 2012 artists, Emilio Rojas, Guadalupe Martinez and Igor Santizo, forged a new, fourth path instead of embarking on the three separate journeys their Background/ThisPlace predecessors did in 1972. Their present-day route intersected with the original artists’ routes, revisiting ideas about Vancouver’s identity and history. They also used video and audio to record their conversations and enhance their photographs.

 

“We decided to collaborate because we’ve all come from Latin American cities and we wanted to explore this commonality,” said Rojas. “We also didn’t want to re-perform the project exactly and wanted to take a different perspective.”

 

Part of the new group’s route was to meet 1972 artists de Courcy and Lewis at a 1970s Kitsilano landmark, the Naam vegetarian restaurant, for lunch. The Naam was so chosen because the three original mapping-project artists frequented the restaurant during Kitsilano’s bohemian heyday of the early 1970s. The younger artists later met their artistic peers for dinner.

 

Artists recorded reflections on the project and the changes to Vancouver during both meals. They also taped conversations with people they encountered on their journey, asking them questions such as “Where were you 40 years ago?”

 

From there, a new dialogue emerges, reflecting on choices about documentation and how to tell a story about identity, both of a city and an individual.

 

“We’ve all moved here within the past 10 years, so it was interesting to respond to a piece that happened 40 years ago when none of us were in the city,” said Rojas. “In a way, we’re exploring what it’s like to find our roots and our own personal histories in a place that’s not ours.”

 

The resulting narratives incorporated not only a portrait of Vancouver, but one of roots and displacement, as well. The original Background/Vancouver was a documentary project of Vancouver’s Intermedia Society, a group of conceptual artists active from 1967 to 1972.

 

Their cultural “happenings” and performances, usually controversial, occurred in various places around the city. Their works challenged what constitutes as art and focused on the ephemeral.

 

Towards the tail end of the society, the four artists wanted to capture Vancouver—the city in which the society’s works took place and where most of the artists found their identity. The four longhaired and bearded men set out to map their city in three separate routes.

 

For the May 2013 exhibit, the original silkscreen mural will be placed on one wall of the gallery. A collage of city maps with audio recordings, the work of the 2012 artists, will be placed on the other wall. In the gallery’s back room, the Media Lab, will hold the photographs taken on the fourth route along with videos.

 

The final project culminates in an interactive website where people can add their own histories and identities, challenging the selective and often static process of archiving.

 

Background/ThisPlace runs until June 8 at the grunt gallery. For more information, visit Grunt.ca.

From global action, local motion: Harsha Walia seeks justice for Vancouver newcomers



Vancouver prides itself as a multicultural city—one that both acknowledges and celebrates its diversity. But if you scratch beneath the surface, you’ll find a dark legacy of racism still alive today. Whether it's the way the city accepts newcomers or values its aboriginal voices, racism continues to be a struggle in this city.


Over the last decade, few people have been as effective in challenging how Vancouver and Canada deal with race and poverty than Harsha Walia. Through her work with No One Is Illegal and the Downtown Eastside Women’s Centre, the South Asian activist has been successful in building bases of support between people of different ethnic, gender and economic backgrounds. All the while, she connects local issues with broader global, racial and social movements.


Megaphone recently sat down with Walia at Grandview Park on Commercial Drive to talk about Canada’s growing hostility to refugees, why a controversial reality show about migrant workers needed to be shut down and what needs to be done to build a deeper understanding about race and poverty in Vancouver. The following interview has been edited for brevity.


Megaphone: Over the past year, the federal government has made a number of changes to Canada’s refugee laws. How will these changes impact Canada's refugee system?


Harsha Walia
: The federal government has drastically decreased the ability for refugees to come to Canada through a number of changes.


The major changes this past year have been Bill C-31 [the Immigration and Refugee Protection Act], which we call the Refugee Exclusion Act. It’s an omnibus bill with a number of changes and one of the big ones is mandatory detention. That means refugees who are deemed to arrive irregularly, which is how most refugees arrive, either by boat or plane, will be put in mandatory detention at the discretion of the minister. And that’s huge because detention is incarceration and jail and includes children over the age of 16. This is a policy of jailing refugees, modeled after the Australian model, which has been condemned internationally.


A number of countries have been deemed safe, from which Canada believes that no refugees are “produced”. This is without any consideration of people’s individual stories. This particularly impacts women or people of minority status from these countries. So they have an expedited process where they are processed and deported very quickly.


Access to healthcare for refugees has been cut. And now you have these heartbreaking stories of families and kids who don’t have access to healthcare. A number of pregnant women have been denied healthcare.


So there’s been a slew of things that’s making it clear that Canada does not want refugees to be here and has no considerations for people’s stories. There’s just this overriding narrative that refugees are bogus and are duping the system without knowing the kinds of conditions that people are fleeing from and a complete erasure of the Canadian government and Canadian corporations' complicity in why people move in the first place.

 

MP: Earlier this year the Canada Border Services Agency (CBSA) conducted a raid on a Vancouver construction site to round up and deport migrant workers. This raid was also filmed by a Vancouver-produced reality television show called Border Security, and approved by the federal government. You've been leading a charge to have this show cancelled on the grounds that “deportation is not entertainment.” Why is it important to you for this show to be shut down?


HW
: The show violates people’s basic privacy rights and really takes advantage of people’s humiliation. People are on the show not by free consent. Anyone who’s under the control of law enforcement, whether it’s border security or the police, are not in a position to give consent to be on the show. And we saw that with a show in the Downtown Eastside called The Beat [a reality show that followed Vancouver police officers].


The broader issue is that this kind of cultural production is what normalizes anti-migrant sentiment. Popular culture and media have a huge say in how we imagine other people. The fact that you have a show where predominately racialized people are cast as criminals, as law breakers, or people who have something to hide, reinforces racist sentiment that migrants are people to be suspicious of. And it reinforces those earlier policies of why we need to crack down on the border.


And [the show] refuses to show the other side of the story. Why are these guys here, what is their life here? In the case of the raid, many of the migrant workers had family here, they had kids here and several of them were married into indigenous families. [Ed note: The CBSA and Force Four entertainment announced after this interview that particular episode of Border Security won’t air.]


MP: There's been a lot of backlash recently against Canada's Temporary Foreign Worker Program, first with Chinese miners in northern British Columbia and then IT specialists at Royal Bank of Canada. Critics say workers are being exploited and costing Canadians their jobs. What's your take on how the Temporary Foreign Worker program is working? And what do you make of Canadians' reactions to them?


HW
: The Temporary Foreign Worker Program points to a larger issue in Canada, which is that in the past four, five years Canada accepts more temporary migrants than permanent migrants. That goes back to the earlier point that Canada is not accepting refugees, it's also not accepting skilled workers on a permanent basis, it's not accepting family sponsorships. While all these other forms of permanent migration are being slashed and cut, the increase is in temporary foreign workers. Canada supposedly prides itself on accepting immigrants, but they’re all temporary migrants.


The program is exploitative—people are paid less than minimum wage. The fact that they’re temporary makes them the most vulnerable, you’re basically at the mercy of your employer—you don’t have the right to unionize and have to work overtime.


But we have to question the idea of protectionism, that [these workers] are stealing jobs that Canadians can have. The problem is that we’re not questioning why people are forced into these kinds of jobs. The Temporary Foreign Worker Program is really just the flip side of outsourcing—these are jobs that can’t be outsourced.


I think instead we need to have solidarity with those [temporary foreign] workers and lift the wage floor up for everybody and make it impossible for the government and employers to exploit any worker, whether temporary or not.


MP: Do you think Canadians are becoming more tolerant or hostile to newcomers?


HW:
The one example that stands out to me, particularly in Vancouver, is an increase in anti-Chinese sentiment. I work in the Downtown Eastside and there’s a large population of Chinese seniors living in poverty and yet at the same time there’s this myth that Chinese foreign investors are buying all the condos in Vancouver even though the research shows that its predominately Canadian investors or from America or Europe.


We have seen a heightened anti-Chinese sentiment and inability to separate the Chinese government from Chinese people. The kind of racism we saw against Chinese railroad workers is very similar to Chinese migrant workers, where predominantly white labour had the same discourse about stealing jobs. It’s not that heightened, but there’s the same kind of idea of stealing jobs without any kind of interrogation about what the conditions for the workers are.


In Vancouver we need to not homogenize Chinese people. In the Downtown Eastside we should not assume people have privilege when they don’t and be aware of our history.


MP: A lot of your work has been in support of indigenous rights, showing solidarity with such movements as Idle No More. Why is it so important for your work around rights of newcomers and people of colour to connect with indigenous peoples?


HW
: It’s critical if we’re going to have any conversation about Canada and its role in displacing people globally that we have a clear understanding of the foundation of Canada displacing indigenous people and that the founding violence of Canada is settler colonialism—the impact of which is on indigenous people in terms of displacement, dispossession of land, genocide, attempted assimilation, and total usurpation of indigenous jurisdiction. And this isn’t just historical, it's a present-day reality.


And it’s critical for people who are fighting the immigration and refugee system to understand our responsibility to indigenous people, who we know face the highest rates of marginalization in Canada. If we look at poverty rates, unemployment rates and rates of incarceration—all indicators to social well-being are lowest for indigenous people.


Photo by Jay Black.


MP: You work with the Downtown Eastside Women’s Centre. How do you see these broader issues of colonialism, racism and misogyny played out in this community?


HW
: The Downtown Eastside is often seen as this exceptional zone as if it just happened out of nowhere, which is ridiculous. The Downtown Eastside is a community that has come about from colonialism and deliberate impoverishment. The fact that the community has such a high percentage of indigenous people is not a coincidence; it's a direct result of displacement of indigenous people from their lands. The fact that there’s such a high percentage of indigenous women is deeply connected to gender violence that indigenous women face, that the Indian Act completely dispossessed indigenous women from their land.


In the Downtown Eastside Women’s Centre, I’d say 20 to 30 per cent of our members are Chinese seniors and that’s similar to the history of racism against Chinese people as well as the kind of impact that racism has on racialized people who are poor. A lot of Chinese and indigenous women have worked in precarious forms of labour and now have no pension plans. To me the Eastside is the culmination of a lot of forces in terms of violence against women, dispossession from land and colonialism.


Now we see the Downtown Eastside is facing these other kinds of threats—there’s a lot of stigma in the Downtown Eastside of a community that is poor. There’s a lot of criminalization in terms of really high rates of incarceration and child apprehension. And with gentrification there’s a real sense of attack and potential redisplacement that a lot of people are worried about.


So we have this community that has come together, despite all these forms of marginalization. There’s definitely a lot of struggles in the eastside but there’s also a lot of amazing cross-cultural connection, amongst elders and young people, amongst people with totally different lived experiences. The Downtown Eastside is such a vibrant community. People have created a lot of beauty out of a lot of hardship [here].


MP: We've seen a lot of setbacks against migrant rights in Canada lately, but there have been some victories. Toronto was declared a "sanctuary city" recently. Where do you see migrant rights going in Canada?


HW
: There’s been a number of victories in terms of migrant rights and those are a direct result of organizing and mobilizing. The sanctuary city, where the City of Toronto declared that all city services would be available to people regardless of their immigration status, was a direct result of nine years of mobilizing.


In terms of the migrant justice movement the only victories we will have are those that we win. And I don’t talk about 'immigrant rights’, I talk about 'migrant justice’ because ‘rights’ reinforces the state, reinforces settlement in a colonial state, whereas ‘justice’ is much more expansive and has an understanding of solidarity with indigenous communities, as well as a global perspective.


A migrant justice movement that builds itself and is grounded in these multiple realities will help us win further victories like sanctuary city.


MP: You live and work here in Vancouver, and you work with numerous inner-city communities. What, to you, will be the main challenges facing Vancouver newcomers over the next five years?


HW
: I think one of the main challenges facing Vancouver newcomers is the same for any Vancouverite: housing affordability. I think that’s a pressing issue for all Vancouver people. And I do think people will be negotiating at some level an increasingly hostile climate in general to newcomers.


In general, we are living in a conservative time. Austerity breeds protectionism and hostility to “others”.


Harsha Walia’s book, Undoing Border Imperialism, a collection of essays from a range of contributors on immigrant rights movements, will be out through AK Press this July.


MEGA-NEWS: Former W2 looks at options for regaining Woodwards space

 

With the City of Vancouver expected to announce a request for proposals (RFP) for the Woodwards’ community amenity space this month, W2 allies are busy reimaging how the space can serve the Downtown Eastside.

 

W2 Belongs to Me, a group of former W2 staff and volunteers, and community members, has split into two to plan their proposal for the space: one group, dubbed W3, is exploring a service co-op model for the space, while the other group is looking at the programming they could offer.

 

“There’s no singular unifying individual or group,” said Wes Regan, executive director of the Hastings Crossing BIA and a member of W2 Belongs to Me.

 

“So those two processes are, at some point, going to have to mesh together and either we’re all going to get along or maybe there’ll be some shrapnel, I don’t know.”

 

While Regan emphasizes there is no guarantee the City will approve their proposal, some of the preliminary plans they have include dedicating the basement to programming and arts events, while the third floor offices would be occupied by an anchor community organization.

 

Simon Fraser University’s RADIUS (RADical Ideas Useful to Society), a business incubator focused on social change, has expressed interest in being that anchor, but no formal agreement has been signed.

 

The second floor café will likely not return, but Regan says there’s been no agreement in the group on what the space should be used for.

 

“What we want to do is keep the best parts of W2 in the programming sense, the things that were really good, the things that the community really saw as an asset, and drop the stuff that was untenable,” he told Megaphone. “But at the end of the day it’s going to be up to the city.”


Megaphone contacted the city about the RFP, but a city spokesperson said they did not know when the RFP would be issued.

Award-winning Canadian authors show their support for Megaphone's writing workshop program

This spring, Megaphone needs to raise $12,000 to help keep our writing workshop program going. We are half way there.


To help us reach our goal, some of Canada's most acclaimed authors have joined the campaign to show their support.

 

 


"Everyone has a story to tell, and we all need to hear all kinds of stories. It's what makes us human. Megaphone's workshop helps bring the quiet, necessary stories of some to the ears of others." — Yann Martel, author of Life of Pi


Help support this important program here (through Hope in Shadows).

Megaphone's writing workshops are run in social housing buildings and treatment and community centres across Vancouver. They give people an opportunity to tell their own stories in their own voice. And by publishing them in Megaphone, everyone in Vancouver can hear them.



"Megaphone's workshops give voice to those vital, silenced stories in our communities, stories that make up the very heart of our social history." — Esi Edugyan, author of Half-Blood Blues.

But in order to get these voices heard, we need to reach our goal. With your donation we'll be able to keep our current workshops running, publish the writers in the magazine and produce our annual Voices of the Street literary edition. 
 

Please make a donation (through Hope in Shadows) today and help ensure these voices are heard across Vancouver. 


Thank you for your support,

Sean Condon
Executive Director
Megaphone




"They say the universe is made of stories, not atoms. 
Within this context, Megaphone's workshops are an indispensable resource for those whose stories must be told, and, of equal importance, must be heard." — Carmen Aguirre
author of Something Fierce Memoirs of a Revolutionary Daughter. 

 


Megaphone’s writing workshops are crucial work, offering training and access to voices and stories that affect us all, and that we might otherwise never hear.” — John Valliant, author of The Tiger.


Five minutes with Voices of the Street 2013 contributor Sid Bristow

 

 

 

"I got started writing when I went to a Megaphone writing workshop in June of this past year. It showed me all the different styles of writing, like journalism, storytelling, and things like that. I found that storytelling works best for me because I have 40 years on the street, and I've survived pretty well, so that's some information I can share. My whole thing is I'd like to help people so they can avoid it.

 

I sometimes get, it's almost like a writer's block, I think of stories but I never get em down, and ["Welfare Wednesday"] is actually the first time I've put one down. And when I wrote it - they gave us a week to write it, and I wrote it on the bus going to class. [laughs] So I always seem to put myself right on the edge, and then I can do it."

 

 

Welfare Wednesday


It was a typical rainy welfare day when I discovered 

at 6:45 a.m. that I never got my welfare cheque. I 

lined up outside the welfare office with my book on 

how to play poker at 7 a.m. to see what was wrong.

 

At the top of the stairs was a homeless guy sleeping, 

a good spot out of the wind and rain. I was at the 

bottom of the stairs beside a drunk guy who was 

being aggressive. It’s funny, the look you get when 

they realize they should get a new victim. (If I was on 

the Internet, now would be the time to say LOL.)

 

Just ahead of me was a guy smoking crack and 

saving spots for people, a no-no in any lineup and 

it gave the drinker a new target. A friendly young 

man behind me was sharing drinks of what he said 

was vodka in a water bottle. I think it was rice wine, 

though, judging by the reaction of the two who 

tried it.

 

Another well-dressed guy needed a cigarette paper 

but the only one available had no glue on it. He took 

it and rolled a joint. that was when the drunk guy 

could not find his false teeth that he had kept taking 

out and showing us. His friend checked his pockets 

and couldn’t find them. 

 

This kept us entertained for about 15 minutes when 

he found them in an inside pocket.

 

In a span of an hour and 15 minutes, each of us, 

carving out our turf in our own way, had gotten to 

know each other and started laughing.

 

Finally at 8:30 a.m. the doors open and they let 

us in. I had forgotten to fill out my stubs and they 

would mail me my cheque. So much for breakfast.

 

 

Sid Bristow sells Megaphone at the corner of Broadway and Cambie, and is a participant in Megaphone's community writing workshops. His piece "Welfare Wednesday" appears in the 2013 Voices of the Street literary anthology, available from licensed vendors all over your community.


This spring Megaphone needs to raise $12,000 to keep the voices of the Downtown Eastside strong. Please show your support for our writing workshop programs by making a donation (through Hope in Shadows) here.


Writing Workshop Wednesday: Syringes, by Frederick Miller

Photo by Bigstock.


Syringes

They are everywhere I walk.  
Everywhere I live.

Bus stops, park benches, 
window sills, in garbage cans.

They are dangerous.  
Containing small amounts of blood
that can do large damage to a person's life
if they are poked.

Long plastic tubes, with a lethal
metal point at the end with the plunger.

Syringes have brought death to many people.
For others, they deliver life saving medications,
or extract body fluids to save lives.

They have a more sinister use, as well --
a vehicle for drugs people use to get high.

Sometimes these drugs cause total bliss,
sometimes they take peoples lives.

They can be be packed with lighter fluid
to use as a miniature flame thrower.

I've used these plastic tubes, these syringes
to administer lethal doses of life threatening drugs.

Syringes have taken, and given
life.

 

Frederick Miller participates in Megaphone’s creative writing workshop at Onsite.

MEGA-NEWS: Young woman dies at Imouto House

  

 

A controversial supportive housing project for young women in the Downtown Eastside had its first visit from emergency services on April 25, when a 19-year-old Imouto House resident died of an apparent heroin overdose. 

 

The woman’s name has not been released by Atira Women’s Resource Society, which operates Imouto House. What we do know is she moved into the supportive housing facility at 120 Jackson St. last September, where she received alcohol and drug counselling.

 

The young woman’s drug of choice was alcohol, not heroin, according to Michelle Fortin, executive director of WATARI, a service provider that works with Imouto House. In and out of treatment programs all over the city, she had been receiving substance abuse services since before age 12. 

 

“[She] would have some insights and then slide back,” said Fortin, adding the young woman was in the process of being evicted from another program when she moved into Imouto.

 

“We’re really saddened by the loss of this strong, young Aboriginal woman and that to a certain extent she was a real leader at Imouto, and our hope is that the impact of her death has some positive outcomes for some of the young women that are left behind.”

 

Ray Cam board member Judy McGuire, who has spoken out against Imouto House before, says the death proves the need for more youth safe housing, detox, and mental health services outside of the Downtown Eastside. 

 

“We don’t want to lose any of our children, and frankly to place them in the Downtown Eastside where there are so many predators and there are so many problems, it’s not acceptable,” she said. 

 

“I don’t care what the rationale: you have to find a better way to take care of our children.”

 

Atira Women's Resource Society will be conducting a review into the death.

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